Cakewalk V-Studio 100
Good things really do come in small packages

It encourages creativity, offers high-quality digital audio capability and does the job of several separate pieces of equipment, all without costing the earth. Sounds too good to be true?
Hot on the heels of its successful V-Studio 700 launch in 2008, Cakewalk has introduced the latest addition to its family of integrated hardware and software audio production tools. Student-friendly with a reasonable price tag, the new compact V-Studio 100 could be just what’s needed to inspire the next generation of rock stars and music producers.
The V-Studio 100 package includes a neat hardware unit that functions as a MIDI and audio interface, a digital mixer, a control surface and a stereo wave recorder. Anyone who’s explored Edirol’s UA25EX interface and the popular R-09HR recorder will find areas of this surprisingly familiar. In this respect, the V-Studio 100 represents a perfect “next step” in introducing students to more advanced recording activities. The package also includes SONAR VS, a special version of Cakewalk’s digital audio workstation software for Windows, and the VS Producer Pack featuring a whole bunch of Cakewalk software instruments and production tools.
An immediate advantage of the V-Studio hardware is that you don't even need a computer to access its recording capability! Let’s look at how a typical group of Year 12 students might use it to record a group performance featuring guitar, vocal and keyboards. Used here as a stand-alone device, the V-Studio box is taken to the school hall and placed within easy reach of the keyboard player who will operate the transport controls for recording.
The front and back panels of the box contain various inputs that the students can use for connecting their instruments and microphones. These include two XLR inputs with built-in preamps and phantom power for connecting microphones, and two 1/4-inch jack inputs (one with Hi Z option for inputting guitar). Additional jack and phono inputs will allow the students to connect keyboards, drum machines and other devices.
Meanwhile the dynamics and balance of each instrument can be controlled via the mixer section. These students are doing a live performance to the rest of their class, so they can balance the instrument levels using the rotary encoders in the mixer section and apply some compression to the vocal and electric guitar. They can also EQ the vocal and add some reverb to suit the style of the song, using the LCD display to help make the appropriate adjustments.
As the students perform, the V-Studio 100’s Wave Recorder records their song as a stereo file directly onto a removable SD card. Listening to their performance afterwards, the students decide that it could be improved by adding a drum track. As there’s no drummer available, they plan to create a backing track, which can be used when they next perform the song.
Back in the classroom, the students connect the V-Studio hardware to the computer via USB and transfer their audio file from the card to the computer’s hard drive. Switching the box to DAW mode, they load the SONAR VS software, import their audio file and begin creating some sequenced drum and bass tracks. (These students are working with a Windows PC, but the V-Studio 100 is also Mac compatible and can be used with other programs such as Cubase, Ableton Live and Logic.)
The VS Production Pack gives the students plenty of scope for exploring different sounds and effects. They use the Studio Instruments Drums module along with some included percussion content and the Loop Explorer to create their drum tracks. Then they compose a bass line using Rapture LE. With some added effects and careful mixing, using the V-Studio 100’s long fader to record automation and dynamics on the new tracks, the backing track is soon ready for export and transfer onto the SD card. As the students become more familiar with the V-Studio 100, they will also be able to use the DAW controller section to control different parameters of SONAR via Active Controller Technology, instead of using the mouse.
The next live performance is a success as the backing track gives a better foundation to the song. The Wave Recorder’s dedicated playback volume control enables the students to balance the level of the backing track with their live tracks, which are recorded simultaneously to the SD card.
The students’ next task is to combine the stereo file of their live vocal, guitar and keyboard performance with the sequenced backing tracks they created earlier. This lets them create a “live performance” mix in SONAR VS, which they can burn to CD or upload to the internet and share with their friends and families. Job done!
"POGO has made music fun. Everyone looks forward to POGO lessons..."
Wishmore Cross School pupil

Motivating a class of teenagers can be challenging at the best of times, but in a special needs environment, it takes an outstanding solution to engage pupils with a range of learning difficulties. In April 2008, POGO Entertainment Ltd. set up their POGO ONE Solution Studio in Wishmore Cross School, Surrey, transforming music, media and ICT lessons for the pupils.
Wishmore Cross is an EBD special needs school for boys aged 11-16 with emotional and behavioural disabilities including ADHD, disphraxia and other emotional problematic areas. With aggression, low concentration levels and communication problems common among its pupils, the school was looking for a solution with which the pupils could easily engage, and which would inspire creativity, confidence and increase self esteem.
POGO ONE Solution, a pathway to college, is designed for implementation in all schools. The course highlights key vocational skills and facilitates cross-curricular activity through music and media. The POGO ONE Solution system comprises Roland's MV8800 production studio and Edirol's DV-7DL direct linear video editor, providing an easy-to-use resource for music, video and multimedia projects.
"The MV8800 is a superb platform for introduction into music", explains POGO Director Terry Piper. "It helps pupils with zero music experience to build song structures and demonstrates how to create a simple R&B loop though to a complex piece of work. The best thing about the MV8800 is its ability to allow all pupils to participate, even if they have never played an instrument in their life, with functions such as looping, loading and editing.
The EDIROL DV-7DL is a very compact unit with great editing tools and is extremely user friendly. With the drag and drop commands meaning major shortcuts through all the training programmes usually associated with media software, the DV-7DL allows any pupil to be creative. The layout is well thought out and quick to demonstrate to pupils, keeping attention throughout the lesson. Even the pupils are amazed that they can load film, edit cut, past and merge text and music to a broadcast quality."
The POGO Studio at Wishmore Cross is a bright, creative, hi-tech space in which pupils can easily engage with the equipment and explore a range of creative projects. This is clearly a facility valued by the boys and the results speak for themselves.
"I chose POGO Entertainment Ltd because of their subject specialist knowledge and expertise, and as a result of the POGO ONE Solution Studio having engaged the disaffected boys in music, ICT and media, real benefits can be seen in self esteem and confidence. Also, the ability to transfer their skills into other areas of learning is very successful." J. Donnelly, Headmaster, Wishmore Cross School.
Wishmore Cross is the latest in a string of successes for Terry Piper and Shelley English, who established POGO Entertainment Ltd. in 2005. The company's current focus is on media and music in education at school level. In 2007, POGO's music services for schools received an "outstanding" (Grade 1) classification from Ofsted. Their use of Edirol's Motion Dive as a visual learning tool for music theory led to an increase of 80% in the retention level attained by pupils.
Since 2007, POGO has assisted in 6 schools (usually pre-Ofsted inspection) and today is focused on two key areas of business; the Pogo One Solution in education nationwide and a new bespoke website concept. The Southend-based company has also been selected by EXDRA - a Government backed agency - as "one of the top companies for innovation in Essex and a company to watch out for."
Pogo One Solution, Education Enquiries Unit 16 Business Centre Essex University Southend Campus Elmer Approach, Southend SS11LW Tel: +44 (0) 8707 662 446
PC-80 keyboards feature in SAME ICT Conference workshop

Stuart Clyde works with SAME ICT conference delegates
In association with Roland UK and Music Sales, Edirol recently supported the Scottish Association of Music Educators’ ICT conference at Stirling University, by supplying a quantity of PC-80 workstations for a MIDI sequencing workshop. With ease-of-use and speedy setup high on the agenda for course tutor Stuart Clyde, the PC-80 provided a one-stop solution to quickly turning the conference computers into powerful MIDI and audio workstations.
Stuart told us: “Conducting a live MIDI Sequencing workshop for forty delegates at our recent Music IT Conference was indeed a daunting undertaking. However with the Edirol PC-80s in tow we needn't have worried. These fantastic machines feature true plug-and-play simplicity. The bundled soft-synth works seamlessly with the keyboard eliminating all MIDI latency and providing the quality sounds you would expect, everything was up and running perfectly in seconds. The keyboard feels great and with two headphones outputs on each machine and an integrated audio interface, Edirol have indeed thought of everything. The PC-80 really is the solution for all the niggling problems we all experienced in the past. Now we just need one keyboard, one USB cable, one computer: job done!”
Amersham & WycombeCollege
At Amersham & WycombeCollege, students can develop music technology, production and performing skills in a selection of courses that provide preparation for life in the music industry. In 2006 the College launched a new record label, Sham Records, with its first CD distributed through local music stores and via the college website. Music students have access to two new recording studios and two suites of PC and Apple Mac workstations.
Tim Day, Course Leader for the National Diploma in Music Technology, talks about the role of SONAR in various course modules and outlines some upcoming projects.
“SONAR is used in the National Diploma in Music Technology and the First Diploma in Music. It is also used to a lesser extent in the National Diploma in Music Practice. We use it in some modules very specifically for particular things, and in others as a general option. For example in the MIDI Sequencing and Software module (National Diploma) it is a main teaching sequencer alongside Logic.
We also use it to teach audio editing in the First Diploma, and as the National is moving to an Audio and MIDI Sequencing module next year we anticipate using it for this as well. It is used in teaching to illustrate various aspects of digital audio principles, e.g. sample rates, and in Music In Context (using the groove clip feature to produce a Steve Reich style phase piece). I’m also using it to demonstrate some very basic mastering techniques. We use the synths and samplers as part of the Sound Creation and Manipulation module in the Music Tech National Diploma. The SONARV-Vocal is very useful in Final Major Project as it is the only vocal correction software we have.
By the second year of ND Music Technology students are expected to be familiar with SONAR, Logic Pro, Pro Tools, Reason and Ableton and to use the software they find easiest for the task at hand. SONAR is on all the PCs, but at the moment our studios – as opposed to classroom suites – run Macs. However we are currently running the Roland RSS Digital Snake and have signed up to beta test the REAC drivers that allow the Snake front end to plug straight into a PC running SONAR. When these come out we anticipate installing a PC running SONAR in at least one studio. All PCs are networked and students can move sound files freely between PC and Mac applications via the network.
Recently we have used SONAR to cover vocal correction (Y2 National Diploma), producing loops using found sound (Y1 National Diploma), and producing a track using samples and synths (SONAR with Reason ReWire). Within the next few weeks we will be using it to produce loops and other audio files for sound effects for a play (using recorded and synthesised sounds). Students will also use it to prepare sounds for a technology related performance. We hope to be using PCs connected to the Digital Snake to record various performances etc; we are just waiting for the beta test drivers.”
Tim mentions some SONAR features that have proved particularly useful.
“SONAR’s groove clip feature is especially useful, particularly in its recent implementation with pitch/volume/pan per slice controls. The V-Vocal is very handy as we have nothing else like it. The ease of audio editing is generally appreciated. I think AudioSnap will be a very useful feature in college as it is easier to use than the Pro Tools equivalent and we will also appreciate the new time stretching options. The students like the REX Player - maybe a little too much, as it’s too easy for them to create a track using library loops without doing any actual production. I’m finding X ray Windows surprisingly useful at home (thought they were a gimmick at first) and I expect the students will be impressed.”
Finally, it's a matter of choice for the students …
“Generally our approach is that students should learn to mix, learn to edit, learn to sequence etc rather than learn any one particular piece of software – hence the use of SONAR alongside Logic in MIDI sequencing. Once the early units are out the way (in which we do tend to prescribe what students should use), we tend to give students the option but encourage them to use all available software. I think that in the end students will choose a favoured DAW based on their preferred platform – here, students who like Macs will gravitate to Logic and those who like PCs will gravitate to SONAR.”